That warm, muggy evening of July 20, 1969, seems like yesterday. It was 50 years ago. I had just watched the live televised moon landing and then went out to my front yard to be with some youthful friends. We gazed at the full moon, with its bright surface and craters. It seemed so distant, and yet a little closer than before, with the utterance of the words by astronaut Neil Armstrong, “That’s one small step for [a] man, one giant leap for mankind.”
In honor of the first moon landing anniversary, I am re-posting my collages from the series, Full Moon Musing. I started working with a simple photograph of a springtime tree and billowing clouds behind it. With a few experiments in PhotoShop, I realized that the clouds also took on the shape of craters within the appearance of full moons. Thus, the series of art prints began. Eventually, I added elements of water, shells, and flowers to the circular shapes. I was stunned at the visual connections between earth, water, and sky.
This new image visually contrasts flowers and the aging technology of the electrical grid. These flowers, although thin and wiry like the transmission lines, are animated and lively. By comparison, the towers appear to be an ancient construct. As the window for preventing dramatic climate warming closes, the energy transmitted through the grid continues to be produced by a 63% blend of fossil fuel and nuclear, rather than environmentally friendly renewable sources.
The electric grid in its current state brings to mind the over year-long recovery of Puerto Rico from the destruction of category five Hurricane Maria. The island grid was almost totally destroyed. The power has not yet been restored to all of its citizens. Puerto Rico, vulnerable to storms, is also rich in renewable sources such as wind, solar, water, and biomass. Still, with our current laws, FEMA is required to restore power to match the destroyed system exactly as it was. And so, the government is currently rebuilding the grid without updates. Tall towers are being built in inaccessible areas such as mountain tops in favor of more manageable local grids fueled by solar or wind. In addition, the importing of expensive fossil fuel needs to continue.
In spite of these FEMA requirements, philanthropists and private companies have come in to help. They donated roof-top solar systems, which form small renewable grids. This technology has helped some neighborhoods regain their electricity. While Puerto Rico’s energy problems and recovery are an extreme example of lack of economic and environmental foresight, I hope that we as a nation can learn from these missteps.
I am honored to have two of my digital collage prints accepted intoUnnatural Selection, an exhibition highlighting species endangered by human activity. This happens as a result of over-harvesting, pollution, habitat destruction, exotic animal trade and trophy hunting, among other influences.
Long Island City Artists LIC/A The Plaxall Gallery, 5-25 46th Ave., Queens, NY 11101, Opening Reception: Saturday, September 8th, 7-10 PM, On View: August 30th – September 30th, 2018
Seahorses are magical fish that seemingly float up and down, back and forth, and gracefully twist and tumble through their watery world. These dancers of the sea achieve their swimming power from one constantly moving dorsal fin.
On a visit to the Shedd Aquarium in Chicago, Illinois, I observed these social creatures swimming in pairs. They gathered in groups, using their curly tails to cling to sea grass. Did you know that the male of the species carries the babies during gestation?
These beautiful creatures served as an inspiration for my latest digital collages. In the first print, I silhouetted the seahorses and then filled them with cars, packed in traffic. The name of the work, Horsepower, is a play on words between our vehicles, their carbon emissions, and the affected seahorses.
In order to celebrate seahorses and all aquatic life, I was moved to create a companion art print that was fun and colorful. It uses many of the same graphic elements as the first digital collage. Rather than cars, I filled the silhouetted animals with bright colors. In a bit of good news, Starbucks and McDonald’s are intending to switch from single-use plastic to paper straws by 2020. This is because of consumer demand. It feels good to know that the public can make a difference to reduce the tide of our environmental problems.
As Memorial Day and the Fourth of July approaches, I would like to explore the color palette of red white and blue. In addition to being a patriotic theme, I have used this palette in the two prints that I am featuring today. Often times, blue refers to themes of water, as it does in Ocean Disruption (above). Wintry Tulips (below) utilizes the color to express season and mood. In the first piece, the red is mostly used for contrast, and in the second, it portrays the natural, spring-like color of the flowers. White appears as either waves or snow, in the two prints.
On the brighter side, several organizations are working to monitor and pull the trash from the ocean.
Surreal blue tulips
Wintry Tulips (above) is part of a series entitledSeasons. This series invites the viewer to take a nontraditional voyage through the four seasons. In it, I hope to share my joy and contemplation of seasonal changes, and their analogies to the human experience. This print seems to be in the process of morphing from winter to spring. I have turned some of the tulips in a horizontal direction and transformed them into a bracing royal blue. They are shooting across a bleak scene of white snow and barren trees. Only fragments of the natural red tulips remain, suggesting that spring once existed, or will exist again.
In reality, spring’s warmth and blooming flowers have actually arrived. Enjoy the season!
Who doesn’t appreciate the beauty of flowers? Their bright colors and enchanting scents attract insects and humans alike. The curving lines and multiple patterns of flowers invite me to utilize them as subject matter for my art. Why then, for this new art print, have I borrowed the title of Pete Seeger’s enduring anti-war anthem, Where have all the FlowersGone?
In an ironic twist, the meaning for my art is different, but no less dire. Instead of all the flowers finally going to graveyards, my collage portrays tulips fading and being swallowed by the ocean. It also incorporates a severe color palette of pink, black and gray. Therefore, it asks the question, what will happen to the flowers, fields, and coastal cities as the sea rises to claims them?
Two prints win entry into Colorado Environmental Photography Exhibition
I am delighted to be part of the 9th Annual Environmental Photography Exhibition, held in conjunction with the 2018 Colorado Environmental FilmFestival in Golden, Colorado. It is a worldwide curated photography exhibition. Like the Film Festival itself, the Photography Exhibition hopes to represent the shared visions of world communities that are concerned about environmental issues.
Opening Reception: February 23, 2018 – 5:30-7:30 PM
Extreme Weather (above) portrays threatening storm clouds that open, not to the sky, but to the sea. I hope to visually explore the concept that the atmosphere and ocean are inescapably bound together. The grayish-purple boarder with moving dots, could even represent molecules of H2O, transforming from a liquid to a vaporous state, as they rise from bodies of water to the sky. I trust that you will find this image visually satisfying as well as thought provoking.
Rising concentrations of carbon dioxide are warming the atmosphere. This increase in temperature results in higher evaporation rates, which in turn allows more moisture to be absorbed into the atmosphere. Consequently, we are experiencing stronger storms with heavier rainfall amounts.
Although climate change is not the cause of hurricanes, a small increase in the average temperature of the Atlantic Ocean and the Gulf of Mexico (which has happened this year) can increase their rainfall and strength. We are sadly reminded of this, as we witness the record braking destructiveness of Harvey and Irma.
Print juried into Koehnline Museum of Art exhibit
I am honored that Coral Grief (above) has been accepted into the exhibition, “Women andAnger: Resistance, Power and Inspiration” at the Koehnline Museum of Art. The jury was seeking art that made a statement concerning recent push backs in political gains made by and for women, other marginalized groups and the environment. My art print Coral Grief, addresses the environmental challenge posed by the world-wide bleaching and dying of coral reefs.
From an emotional perspective, water can symbolize longing, as in being separated by large spans of ocean. It is a life force, stormy and threatening, as well as calming and beautiful. From a scientific point of view, the oceans cover 70% of earth’s surface and contain roughly 97% of its water. The oceans supply much of the earth’s food and most of its oxygen through a population of tiny plants.
From an artistic point of view, I am moved to create work about water. In the image above, I layered ocean photography with playfully colored, digitally painted circles, which could suggest bubbles of gas dissolving in water.
Saving our oceans
Sea water is slightly base as opposed to acidic. As man-made CO2 increases in the atmosphere, it is eventually deposited and dissolved in the ocean. It then skews the water toward a more acidic reading in a process called ocean acidification. As a result, shell-forming animals including corals, oysters, shrimp, lobster, many planktonic organisms, and even some fish species could be gravely affected.
I have been thinking a lot about social issues since we have entered this new era in American political life. My special concern rests with climate change and its impact on the oceans. As the polar ice caps warm at an alarming rate, populations plan to evacuate island homes and Miami Beach experiences ‘sunshine’ flooding, climate change deniers abound.
Recently my art has explored the beauty of shells and seashores; therefore I have naturally extended my concern to the oceans themselves. This new series, AbstractOcean Art, continues to employ digital collage of my acrylic painting and photography. Although semi-abstract, elements of ocean imagery and the titles inform the viewer of various environmental issues.
It is a deep feeling of apprehension for our future that has brought me to delve into this new series.
Creative minds working together remind me of the many starfish dancing on the beach among the brilliant colors in my new art print. Like the act of collaboration itself, this digital collage consists of several layers: photography, digital manipulation of acrylic painting and other effects. This past weekend I stopped by the July Art & Wine event at Creative Coworking, Evanston, IL. It is a friendly, supportive, shared office space, where there is always a rotating display of vibrant work by local artists. I am honored to be showing my art there in September.
Save the date: my art prints will be on display at Creative Coworking, Friday September 16, 2016!