I am very pleased to be accepted into the online exhibition, Colour, July 15 – August 14, 2021, Tebbs Contemporary Art Gallery, London UK. My chosen works are pictured at the very top.
Check out the fast-paced video catalog of the many vivid artworks. I also had the opportunity to be interviewed for the exhibition on ZOOM. After a short talk about my work, guest viewers had some provocative questions for me. For example, one participant asked if I consciouslychose to retain my painterly style when I shifted from canvas to digital art. I answered that painting had certainly informed the digital work to come.
One good question from another participant was how I obtained my photographs, i.e., the internet? I answered no, I took them myself, as to avoid copy right conflicts. I have taken many photos of natural subjects close to home and others on travel overseas.
Continuing with this topic, I explained that some of the photographs, such as the seahorses, were posed close-ups. With Photoshop, I silhouetted the shapes and filled them with color. I expressed that one benefit of digital collage is that an artist can use a poignant shot in various places in different works.
Someone asked about my artistic path, and I described my journey from fine arts to graphic design and back again, noting that I had learned different things from both disciplines.
It was quite an interesting experience chatting with and answering questions of artists across the globe.
At the very top are my five works chosen for the exhibition at Tebbs Contemporary Art Gallery. Clockwise: Australian Fires, Shelter in Place, Colorful Seahorses, Kangaroo Escape, I Can’t Breathe.
These chive blossoms were the perfect subject for my new collage series because I love color, pattern, and oval shapes. I was intrigued by the sense of whimsy these botanicals demonstrated as they sprung from the earth. In addition, the flowers are environmentally friendly, attracting bumblebees. They are even edible, adding a mild garlic flavor to food. Finally, to complement the beauty of these florals, I added green and purple graphic elements.
For me, this colorful cluster represents the joy of spring and summer coming forth. At the same time, they are analogous to our new path; the need for social distance is lessening, and people are gathering again.
A Cautionary Tale
Yet, let other countries tell a cautionary tale. Early in 2021, the government of India imposed few restrictions on crowds because they thought the virus had peaked. Then the latest COVID-19 Delta variant appeared, and illness increased rapidly. It is more contagious and affects younger people in more significant numbers than the original virus. Of course, many counties also lack access to the vaccines that we have.
Lurking (above) is also composed of purple and green colors but has a more somber tone and feel. I created it in October 2020, when we were in the thick of the pandemic. This image blends thistle foliage with a portrayal of the coronavirus. These spiky, intertwining plants could be symbolic of a place where the virus still lurks among us.
I am pleased to be among the artists accepted into the online exhibition Bold and Colorful, hosted by Exhibition Without Walls. The curator states that “with our world being so negative, we thought that we would like to brighten up things a little by having an exhibition that was upbeat in terms of images as well as audio. The title “Bold and Colorful” speaks to this as well.”
One of my accepted images is Fiery Winter (top.) I infused a snowy, hilly scene with glowing yellow, red and purple, while the trees remain a dark, bold black. One of my viewers commented that the yellow emanating from the houses gave her hope in a time of darkness.
Soon, spring will be here, and like tulips blooming, I am feeling the hope of people coming together again…
I created a new digital collage with the concept of bold and colorful in mind. To do this, I blended pink tulips with a strong calligraphic-like line drawing. Soon, spring will be here, and like tulips blooming, I am feeling the hope of people coming together again, as more of us have access to the vaccine and COVID-19 rates go down.
I am honored to be exhibiting in Rome, Italy: Art in the Time of COVID, theEffects of the Pandemic During Lock-down. This group exhibition is taking place at the Bauhaus Home Gallery, December 5 – 11, 2020.
I did not create these following digital collages with a sense of joy, but rather an urgency to express my concern about a plight that has engulfed people across the entire world. I Can’t Breathe (vertical image below,) speaks to a collision between the crises of the murder of George Floyd and the US reaching 100,000 COVID-19 deaths. Six months later, the number of lost souls has climbed to 282,000. Even though a vaccine is on the horizon, far more deaths will inevitably occur.
Gladioli Drawing I, 2019 (left), has been selected for the online exhibition, FOR THE LOVE OF ART II, Envision Arts, Dallas, Texas, on display through February 29, 2020. In addition to Americans, artists from Norway, Taiwan, Poland, United Kingdom, Portugal, Japan, and Greece are included. The jurors were seeking images regarding love and relationships, as well as the color red.
I started Winter Gladioli (above) with photographs taken last August 2019. Then, I brought these flowers straight into January of 2020 by overlaying them with bare trees and muting parts of their bright red-pink color to white and gray. Immediately, it appeared like the gladioli were part of a snowy scene. Similarly, our climate has been unrecognizable in many ways across the globe. From massive fires in Australia to continuing ice melts in the Arctic, 2019 alone has seen unprecedented climate changes. These are the kinds of surprises, I for one, do not like to see.
I appreciate the gladiolus for its bright colors and succession of organic shapes.
Berlin exhibition in March 2020
I am honored to be included in an exhibition this March in Berlin, Germany, entitled, i am. an immigrant. The exhibit was curated by Dorit Jordan Dotan, artist in resident, Institut fur Alles Mogliche (Institute for Everything.) The exhibit explores demographic changes that affect global and local politics, economies, and day to day life. History forewarns what can happen when hate and fear grows among people coming from different cultures, who now share the same space. This group exhibition is a place to explore these clashes of culture. More info will be forthcoming.
Greenland has been in the news quite a bit lately. After Europe’s heatwave of 2019 spread north, Greenland’s ice sheet experienced a significant melting event. The result was that much of the island’s ice has turned to slush. As rivers of water pour into the ocean, a NASA Study predicts more long-term sea-level rise from Greenland ice. Then curiously, our President decided it would be an excellent time to broker a deal with Denmark to buy its autonomous territory of Greenland. Of course, the Danish Prime Minister declared the idea absurd.
Could anything be more ludicrous? Could our planet be in any more danger?
Global Effect (above) is abstract, but in some ways, it reminds me of the shapes on a world atlas. This digital collage is composed of manipulated photos from the ocean, beach, and one of my paintings. These images of earth and its patterns bring together my appreciation of nature and on-going concern with climate change as a global problem.
As the temperatures plunge and the snow falls, allow these new beach collages to take you to a pleasant warm place. In your imagination, this is a place where you can walk along a beautiful, fanciful beach, where starfish, sea urchins, seashells and bright colors populate the path. Imagine yourself dipping your toes in the warm, inviting sand while feeling a refreshing ocean breeze.
I hope these images give you a slight reprieve from winter’s reign.
The starfish are back
I have used starfish (sea stars) in my digital collages on and off for almost five years to create these imagined beaches. Coincidentally, it was five years ago that the stars began to suffer a massive die-off on California’s coast. Scientists now believe that the cause was multi-factored, including warmer waters and a virus.
I am honored to have two of my digital collage prints accepted intoUnnatural Selection, an exhibition highlighting species endangered by human activity. This happens as a result of over-harvesting, pollution, habitat destruction, exotic animal trade and trophy hunting, among other influences.
Long Island City Artists LIC/A The Plaxall Gallery, 5-25 46th Ave., Queens, NY 11101, Opening Reception: Saturday, September 8th, 7-10 PM, On View: August 30th – September 30th, 2018
Who doesn’t appreciate the beauty of flowers? Their bright colors and enchanting scents attract insects and humans alike. The curving lines and multiple patterns of flowers invite me to utilize them as subject matter for my art. Why then, for this new art print, have I borrowed the title of Pete Seeger’s enduring anti-war anthem, Where have all the FlowersGone?
In an ironic twist, the meaning for my art is different, but no less dire. Instead of all the flowers finally going to graveyards, my collage portrays tulips fading and being swallowed by the ocean. It also incorporates a severe color palette of pink, black and gray. Therefore, it asks the question, what will happen to the flowers, fields, and coastal cities as the sea rises to claims them?
Two prints win entry into Colorado Environmental Photography Exhibition
I am delighted to be part of the 9th Annual Environmental Photography Exhibition, held in conjunction with the 2018 Colorado Environmental FilmFestival in Golden, Colorado. It is a worldwide curated photography exhibition. Like the Film Festival itself, the Photography Exhibition hopes to represent the shared visions of world communities that are concerned about environmental issues.
Opening Reception: February 23, 2018 – 5:30-7:30 PM