Gladioli Drawing I, 2019 (left), has been selected for the online exhibition, FOR THE LOVE OF ART II, Envision Arts, Dallas, Texas, on display through February 29, 2020. In addition to Americans, artists from Norway, Taiwan, Poland, United Kingdom, Portugal, Japan, and Greece are included. The jurors were seeking images regarding love and relationships, as well as the color red.
I started Winter Gladioli (above) with photographs taken last August 2019. Then, I brought these flowers straight into January of 2020 by overlaying them with bare trees and muting parts of their bright red-pink color to white and gray. Immediately, it appeared like the gladioli were part of a snowy scene. Similarly, our climate has been unrecognizable in many ways across the globe. From massive fires in Australia to continuing ice melts in the Arctic, 2019 alone has seen unprecedented climate changes. These are the kinds of surprises, I for one, do not like to see.
I appreciate the gladiolus for its bright colors and succession of organic shapes.
Berlin exhibition in March 2020
I am honored to be included in an exhibition this March in Berlin, Germany, entitled, i am. an immigrant. The exhibit was curated by Dorit Jordan Dotan, artist in resident, Institut fur Alles Mogliche (Institute for Everything.) The exhibit explores demographic changes that affect global and local politics, economies, and day to day life. History forewarns what can happen when hate and fear grows among people coming from different cultures, who now share the same space. This group exhibition is a place to explore these clashes of culture. More info will be forthcoming.
Greenland has been in the news quite a bit lately. After Europe’s heatwave of 2019 spread north, Greenland’s ice sheet experienced a significant melting event. The result was that much of the island’s ice has turned to slush. As rivers of water pour into the ocean, a NASA Study predicts more long-term sea-level rise from Greenland ice. Then curiously, our President decided it would be an excellent time to broker a deal with Denmark to buy its autonomous territory of Greenland. Of course, the Danish Prime Minister declared the idea absurd.
Could anything be more ludicrous? Could our planet be in any more danger?
Global Effect (above) is abstract, but in some ways, it reminds me of the shapes on a world atlas. This digital collage is composed of manipulated photos from the ocean, beach, and one of my paintings. These images of earth and its patterns bring together my appreciation of nature and on-going concern with climate change as a global problem.
As the temperatures plunge and the snow falls, allow these new beach collages to take you to a pleasant warm place. In your imagination, this is a place where you can walk along a beautiful, fanciful beach, where starfish, sea urchins, seashells and bright colors populate the path. Imagine yourself dipping your toes in the warm, inviting sand while feeling a refreshing ocean breeze.
I hope these images give you a slight reprieve from winter’s reign.
The starfish are back
I have used starfish (sea stars) in my digital collages on and off for almost five years to create these imagined beaches. Coincidentally, it was five years ago that the stars began to suffer a massive die-off on California’s coast. Scientists now believe that the cause was multi-factored, including warmer waters and a virus.
I am honored to have two of my digital collage prints accepted intoUnnatural Selection, an exhibition highlighting species endangered by human activity. This happens as a result of over-harvesting, pollution, habitat destruction, exotic animal trade and trophy hunting, among other influences.
Long Island City Artists LIC/A The Plaxall Gallery, 5-25 46th Ave., Queens, NY 11101, Opening Reception: Saturday, September 8th, 7-10 PM, On View: August 30th – September 30th, 2018
Who doesn’t appreciate the beauty of flowers? Their bright colors and enchanting scents attract insects and humans alike. The curving lines and multiple patterns of flowers invite me to utilize them as subject matter for my art. Why then, for this new art print, have I borrowed the title of Pete Seeger’s enduring anti-war anthem, Where have all the FlowersGone?
In an ironic twist, the meaning for my art is different, but no less dire. Instead of all the flowers finally going to graveyards, my collage portrays tulips fading and being swallowed by the ocean. It also incorporates a severe color palette of pink, black and gray. Therefore, it asks the question, what will happen to the flowers, fields, and coastal cities as the sea rises to claims them?
Two prints win entry into Colorado Environmental Photography Exhibition
I am delighted to be part of the 9th Annual Environmental Photography Exhibition, held in conjunction with the 2018 Colorado Environmental FilmFestival in Golden, Colorado. It is a worldwide curated photography exhibition. Like the Film Festival itself, the Photography Exhibition hopes to represent the shared visions of world communities that are concerned about environmental issues.
Opening Reception: February 23, 2018 – 5:30-7:30 PM
I hope you are enjoying the lake or ocean beach this summer. Because it’s summer, I am posting the peaceful and softly colored image Nautilus Beach, pictured above. Even if you are not at the beach, I hope this image will take you there on a visual journey.
Coral reefs in peril
While the next image is visually pleasant with blue ocean imagery and fan coral, it also addresses the serious problem of coral bleaching. As I have turned my artistic focus from shells and shores to the ocean itself, I have found artist organizations concerned with climate change. I was fortunate enough to be able to write an article for the blog Artists and Climate Change. In the post I said the following about Coral Grief, pictured above:
Coral reefs thrive within a narrow temperature range. Their fate is being challenged as the oceans absorb much of the heat created by global warming. When coral is stressed, it discharges its algae and becomes white or bleached, and vulnerable to death. A major bleaching event is considered one of the most visual indicators of climate change. This image was produced by layering ocean and coral photography. With photo-manipulation, I was able to portray the coral as bleached. As I searched for an appropriate title, the term coral reef yielded to the reality of ‘coral grief.’
In spite of this reality, I intend to enjoy and celebrate our rivers, lakes and oceans. I will fight for their health as well.
I love creating a warm haven in the midst of a bitterly cold winter – even if only in the 2D format of a digital collage. As I combined my photographs of seashells, dried seaweed, water, acrylic painting and lighting effects, an imagined beach began to form. Consequently, I was pleased to see the emergence of a sunrise within the shoreline itself. I am hoping this sunrise is an omen for us all to have an abundant and peaceful 2017.
I have asked myself, why do I consistently use the rounded shapes of natural forms such as seashells and flowers as subject matter for my digital collages? In addition, I wonder why I am attracted to nature’s patterns in clouds and waves on water. I have concluded that not only is this subject matter beautiful, but it is calming and gives me peace. Of course, as an artist, I also seek an original perspective through color, line and form. Perhaps for me, combining both the meditative and the novel is the key to my motivation.