Those of us living in the northern climes know winter has dished out its traditional dose of cold and snowy weather. Therefore, I am thinking ahead to warmer days when irises bloom. I began this image with photographs of irises. Then I digitally drew an iris on top of the layered photos. The next question was, what color would the drawn flower become? I chose yellow, the opposite of purple on the color wheel; this opposition brings out the brightest qualities in the other color. I also allowed some violet petals to peek through. Finally, the yellow overlaps and under-laps the black marks to integrate the image.
As I mentioned in my last blog, I have been drawing and creating pastels of natural forms. While the same principles of color, line, and texture apply, the hands-on work with soft pastels is a nice variation from my digital work. See my pastel drawings portfolio.
I am pleased to be included in the Texas-based Envision Arts Gallery online exhibition titled StillLife. The chosen still lives range from more traditional to whimsical paintings, photography of expected and unexpected objects, and digital collage.
In Contemplating Chrysanthemums, above, I challenged myself to merge digital drawings and flower photography. To start with, I manipulated the photo to progress outwardly from its black-and-white center to various intense shades of violet. Then, I intermingled the photography with the digitally drawn and painted interpretations of the blossoms for an intricate effect. I decided to enter this image because I could imagine taking these flowers from the garden and placing them on the dining room table for a pleasant accompaniment to dinner.
The exhibition runs through the end of November.
Creating a Still Life in Pastel
Along with my digital work, I have been drawing and creating pastels of natural forms. This allows me to work out various ideas with line and color. When working strictly in a digital format, I missed the more direct, hands-on work that drawing and working in pastels afford me. At the same time, I have developed ideas while jumping between the two media. Let me know if you would like to see more pastels in the future.
I am honored to show my work in the online exhibition titled Collage at the John Aird B. Art Gallery, Toronto, ON, Canada. The project showcases contemporary Canadian and international artists’ handmade and digital collage-based works. The jurors were Ken Moffat, Canadian author of Troubled Masculinities: Reimaging Urban Men, and Toronto-born artist Sebastein Miller, whose recent work is entitled Civil Disobedience. Ideas for my chosen work, I Can’t Breathe (detail above) came to me as I heard George Floyd’s last words, which echoed the words of seriously ill and dying COVID-19 patients.
Mums or Chrysanthemums are the quintessential flowers of autumn. In anticipation of the season, I have been photographing, drawing, and digitally collaging them all summer. The left image, Portrait in Line and Color, includes a photo and drawing layered upon it. I am intrigued by the visual back-and-forth between the two media. In the right image, Color Collage, I added some drawn elements, but it is primarily a digital montage of photographic color shifts. Finally, I hope this colorful time of year brings you joy and serenity.
I am excited to announce my acceptance of the image Color in Profile (above) into the photography-digital category of the Exhibition of Primary Colors at Light Space and Time Online Gallery.The juror was seeking original work that included any combination of the three primary colors (red, yellow, and blue) from which all other colors are mixed.
Some color theorists name white as the combination of all color and black as the absence of all color. As I was working on a collage with flowers from the same photo shoot, I had the impulse to void them of color. So, I changed them from their natural color to a high contrast of black and white with a Photoshop filter. At times I am visually attracted to high-contrast images with touches of color. Therefore, I digitally painted colors into a few of the flowers. I hope you find the effect intriguing.
I am very pleased to be accepted into the online exhibition, Colour, July 15 – August 14, 2021, Tebbs Contemporary Art Gallery, London UK. My chosen works are pictured at the very top.
Check out the fast-paced video catalog of the many vivid artworks. I also had the opportunity to be interviewed for the exhibition on ZOOM. After a short talk about my work, guest viewers had some provocative questions for me. For example, one participant asked if I consciouslychose to retain my painterly style when I shifted from canvas to digital art. I answered that painting had certainly informed the digital work to come.
One good question from another participant was how I obtained my photographs, i.e., the internet? I answered no, I took them myself, as to avoid copy right conflicts. I have taken many photos of natural subjects close to home and others on travel overseas.
Continuing with this topic, I explained that some of the photographs, such as the seahorses, were posed close-ups. With Photoshop, I silhouetted the shapes and filled them with color. I expressed that one benefit of digital collage is that an artist can use a poignant shot in various places in different works.
Someone asked about my artistic path, and I described my journey from fine arts to graphic design and back again, noting that I had learned different things from both disciplines.
It was quite an interesting experience chatting with and answering questions of artists across the globe.
At the very top are my five works chosen for the exhibition at Tebbs Contemporary Art Gallery. Clockwise: Australian Fires, Shelter in Place, Colorful Seahorses, Kangaroo Escape, I Can’t Breathe.
These chive blossoms were the perfect subject for my new collage series because I love color, pattern, and oval shapes. I was intrigued by the sense of whimsy these botanicals demonstrated as they sprung from the earth. In addition, the flowers are environmentally friendly, attracting bumblebees. They are even edible, adding a mild garlic flavor to food. Finally, to complement the beauty of these florals, I added green and purple graphic elements.
For me, this colorful cluster represents the joy of spring and summer coming forth. At the same time, they are analogous to our new path; the need for social distance is lessening, and people are gathering again.
A Cautionary Tale
Yet, let other countries tell a cautionary tale. Early in 2021, the government of India imposed few restrictions on crowds because they thought the virus had peaked. Then the latest COVID-19 Delta variant appeared, and illness increased rapidly. It is more contagious and affects younger people in more significant numbers than the original virus. Of course, many counties also lack access to the vaccines that we have.
Lurking (above) is also composed of purple and green colors but has a more somber tone and feel. I created it in October 2020, when we were in the thick of the pandemic. This image blends thistle foliage with a portrayal of the coronavirus. These spiky, intertwining plants could be symbolic of a place where the virus still lurks among us.
I am pleased to be among the artists accepted into the online exhibition Bold and Colorful, hosted by Exhibition Without Walls. The curator states that “with our world being so negative, we thought that we would like to brighten up things a little by having an exhibition that was upbeat in terms of images as well as audio. The title “Bold and Colorful” speaks to this as well.”
One of my accepted images is Fiery Winter (top.) I infused a snowy, hilly scene with glowing yellow, red and purple, while the trees remain a dark, bold black. One of my viewers commented that the yellow emanating from the houses gave her hope in a time of darkness.
Soon, spring will be here, and like tulips blooming, I am feeling the hope of people coming together again…
I created a new digital collage with the concept of bold and colorful in mind. To do this, I blended pink tulips with a strong calligraphic-like line drawing. Soon, spring will be here, and like tulips blooming, I am feeling the hope of people coming together again, as more of us have access to the vaccine and COVID-19 rates go down.
I am honored to be exhibiting in Rome, Italy: Art in the Time of COVID, theEffects of the Pandemic During Lock-down. This group exhibition is taking place at the Bauhaus Home Gallery, December 5 – 11, 2020.
I did not create these following digital collages with a sense of joy, but rather an urgency to express my concern about a plight that has engulfed people across the entire world. I Can’t Breathe (vertical image below,) speaks to a collision between the crises of the murder of George Floyd and the US reaching 100,000 COVID-19 deaths. Six months later, the number of lost souls has climbed to 282,000. Even though a vaccine is on the horizon, far more deaths will inevitably occur.
Gladioli Drawing I, 2019 (left), has been selected for the online exhibition, FOR THE LOVE OF ART II, Envision Arts, Dallas, Texas, on display through February 29, 2020. In addition to Americans, artists from Norway, Taiwan, Poland, United Kingdom, Portugal, Japan, and Greece are included. The jurors were seeking images regarding love and relationships, as well as the color red.
I started Winter Gladioli (above) with photographs taken last August 2019. Then, I brought these flowers straight into January of 2020 by overlaying them with bare trees and muting parts of their bright red-pink color to white and gray. Immediately, it appeared like the gladioli were part of a snowy scene. Similarly, our climate has been unrecognizable in many ways across the globe. From massive fires in Australia to continuing ice melts in the Arctic, 2019 alone has seen unprecedented climate changes. These are the kinds of surprises, I for one, do not like to see.
I appreciate the gladiolus for its bright colors and succession of organic shapes.
Berlin exhibition in March 2020
I am honored to be included in an exhibition this March in Berlin, Germany, entitled, i am. an immigrant. The exhibit was curated by Dorit Jordan Dotan, artist in resident, Institut fur Alles Mogliche (Institute for Everything.) The exhibit explores demographic changes that affect global and local politics, economies, and day to day life. History forewarns what can happen when hate and fear grows among people coming from different cultures, who now share the same space. This group exhibition is a place to explore these clashes of culture. More info will be forthcoming.