Those of us living in the northern climes know winter has dished out its traditional dose of cold and snowy weather. Therefore, I am thinking ahead to warmer days when irises bloom. I began this image with photographs of irises. Then I digitally drew an iris on top of the layered photos. The next question was, what color would the drawn flower become? I chose yellow, the opposite of purple on the color wheel; this opposition brings out the brightest qualities in the other color. I also allowed some violet petals to peek through. Finally, the yellow overlaps and under-laps the black marks to integrate the image.
As I mentioned in my last blog, I have been drawing and creating pastels of natural forms. While the same principles of color, line, and texture apply, the hands-on work with soft pastels is a nice variation from my digital work. See my pastel drawings portfolio.
I am pleased to be included in the Texas-based Envision Arts Gallery online exhibition titled StillLife. The chosen still lives range from more traditional to whimsical paintings, photography of expected and unexpected objects, and digital collage.
In Contemplating Chrysanthemums, above, I challenged myself to merge digital drawings and flower photography. To start with, I manipulated the photo to progress outwardly from its black-and-white center to various intense shades of violet. Then, I intermingled the photography with the digitally drawn and painted interpretations of the blossoms for an intricate effect. I decided to enter this image because I could imagine taking these flowers from the garden and placing them on the dining room table for a pleasant accompaniment to dinner.
The exhibition runs through the end of November.
Creating a Still Life in Pastel
Along with my digital work, I have been drawing and creating pastels of natural forms. This allows me to work out various ideas with line and color. When working strictly in a digital format, I missed the more direct, hands-on work that drawing and working in pastels afford me. At the same time, I have developed ideas while jumping between the two media. Let me know if you would like to see more pastels in the future.
I am honored to show my work in the online exhibition titled Collage at the John Aird B. Art Gallery, Toronto, ON, Canada. The project showcases contemporary Canadian and international artists’ handmade and digital collage-based works. The jurors were Ken Moffat, Canadian author of Troubled Masculinities: Reimaging Urban Men, and Toronto-born artist Sebastein Miller, whose recent work is entitled Civil Disobedience. Ideas for my chosen work, I Can’t Breathe (detail above) came to me as I heard George Floyd’s last words, which echoed the words of seriously ill and dying COVID-19 patients.
Mums or Chrysanthemums are the quintessential flowers of autumn. In anticipation of the season, I have been photographing, drawing, and digitally collaging them all summer. The left image, Portrait in Line and Color, includes a photo and drawing layered upon it. I am intrigued by the visual back-and-forth between the two media. In the right image, Color Collage, I added some drawn elements, but it is primarily a digital montage of photographic color shifts. Finally, I hope this colorful time of year brings you joy and serenity.
I am honored to be included in the Transformative Power of Art Journal, summer edition, 2022. Creators submitted work on the topic of “on war and peace.” This international forum reviews sharable media from written to visual to musical creations. With Flowers for Ukraine, I began by digitally painting the blue and yellow colors of the Ukrainian flag on my screen. From there, I overlaid the flag with loosely drawn flowers. Finally, I added various shades of red because even though I might hope that flowers would offer comfort, there is no escaping the bloodshed that results from warfare.
This journal adds to the ongoing scholarly conversation about forms of art as catalysts of transformation, whether experienced by witnessing a work by another artist, or by the process of creation, and often it is through the experience of these two in conjunction with each other where transformation occurs.
Amy M Anderson, PhD, MFA, MALS, Publisher, Transformative Power of Art Journal
This new work employs a more positive approach to using flowers as subject matter. The lighthearted title Tuxedo Tulips refers to the black and white digital line drawing, which contrasts a softer pink and purple photograph. Lastly, for added interest, I layered a halftone texture on some areas of the image.
I am a news junkie, so I was fully aware that Russia’s military had surrounded Ukraine. Yet, I was still alarmed and upset to actually hear the bombs and witness the explosions on cable TV. I was working on my new spring series, and I titled the above image, Tulips Within. This referred to the tulips encircled by a line drawing of a tulip. Later I changed the name to, Tulips Within/ Flowers for Ukraine. Like the tulips contained by the digital lines, the Ukrainians are also surrounded.
Where Have All the Flowers Gone?
After February 24th, 2022, I had to express my feelings about the war using the theme of flowers differently. With the help of silhouetted honeysuckle flowers overlaid on the colors of the Ukrainian flag, I tried to portray the chaos and disarray. I borrowed the title from Pete Seeger’s 1955 classic anti-war folk song Where Have All the Flowers Gone? In the 1960s and beyond, it was recorded by The Kingston Trio, Peter Paul and Mary, and others. Unfortunately, this song never seems to lose its relevance.