Tag Archives: art prints

Boston Gallery Celebrates the Perfectly Imperfect

I am thrilled to be part of Boston’s Art Fluent Gallery online exhibition, Beyond the Scars. The curators sought work that celebrates perfectly imperfect things, bursting with character and emotion—works highlighting the charm of irregularities and asymmetries, turning so-called defects into striking focal points. Within these stories, emotions, and scars, we find a raw vulnerability that uncovers the true beauty in it all.

Australian Fires, above, is part of my climate change series. It was fueled by a mix of sadness and anger at the news coverage of the Australian fires in 2019 – 2020. In this digital collage I started with black and white photos of almost barren trees. On top of that layer, I laid down some fiery orange and red digital strokes. Then, I used a rapid succession of black dots and lines, which, unbeknownst to me, created the illusion of a hilly landscape and a fire tornado. The final bright splash of yellow occurred with a Photoshop maneuver, which resulted in an unexpected surprise of the sun peeking through. This added a touch of hope to an otherwise somber scene.

New Pastels Utilize Warm Oranges and Yellows

These pastel drawings feature the warm colors of yellow and orange. I added a complementary light purple-blue background to enhance their vibrancy. Unlike the digital image above, which happened in an almost accidental series of occurrences, these pastels are more deliberate and traditional. While I love arranging and patterning items in collage, drawing requires close attention to proportion and accurate shapes. It is challenging, yet freeing to switch between the two media.

Work Accepted in Spring Equinox Exhibition

I am honored to be included in the PIX Museum of the National Association of Digital Artists Spring Equinox Exhibition. The gallery states that this juried show features the work of digital artists from around the world. The Spring Equinox theme brings to mind nature, sunlight, and renewal. The show is live and can be viewed at pixmuseum.org through May 17, 2024.

Awakening Tulips, is a composition of silhouetted tulips filled with colors ranging from deep magenta to pastel blues, purples, and greens. For contrast, I placed the colors at angles in some places and blended them in others. Darkness to Light alludes to the spring equinox, with its longer, lighter days following the darker, deeper winter nights. For example, a vase with a single flower evolves from black to another in medium-toned teal to a final one in bright white.

Shadows of the Season

I have intertwined colorful tulips with their corresponding shadows in this new collage, Tulips Shadows. This creates a contrast between feelings of joy and foreboding. Just as tulips symbolize spring and new beginnings, shadows can represent darkness, loss, and fear. As I searched online for help in describing these oppositions, I found a quote by the acclaimed cinematographer Conrad Hall (Cool Hand Luke, Butch Cassidy, and the Sundance Kid.) He states, “There are infinite shadings of light and shadows and colors… it’s an extraordinarily subtle language. Figuring out how to speak that language is a lifetime job.” Although I am a two-dimensional visual artist and not a filmmaker, the challenges have much in common.

Daffodils Inspire Artists and Poets

© Betty Butler, *Multi-color* *Daffodils* I, Digital Collage, 2023

As a visual artist, I am inspired by daffodils. Then, recently, I was searching for a poem I had read in high school when I stumbled across one of 18^th-century William Wordsworth’s poems, “I Wandered Lonely as a Cloud.” It is commonly known as “Daffodils.” Reading the poem reminded me of my childhood experience receiving a poetry workbook with spaces to illustrate the poems. I remember vigorously drawing in the pictures. It was so much like that experience, but in reverse; I had just found a companion poem for my new digital art.

It is a poem reflecting the joy and wonder of encountering a host of golden daffodils. I am also inspired by the bright yellow flowers and their visual repetitions of cones, petals, and long stems. Therefore, I arranged them in an exciting composition, photographed them, and played with the elements of color and light. You can read the first two stanzas of the poem below.

“I Wandered Lonely as a Cloud”  
                          
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the Milky Way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.  

William Wordsworth

daffodil art — © Betty Butler, *Multi-color Daffodils* II

daffodils inspire artist and poets — © Betty Butler, Photography of daffodils

Color in Winter

PASTEL DRAWINGS — © Betty Butler, Yellow Iris, Digital Collage, 14 x 11 in, 2022

Those of us living in the northern climes know winter has dished out its traditional dose of cold and snowy weather. Therefore, I am thinking ahead to warmer days when irises bloom. I began this image with photographs of irises. Then I digitally drew an iris on top of the layered photos. The next question was, what color would the drawn flower become? I chose yellow, the opposite of purple on the color wheel; this opposition brings out the brightest qualities in the other color. I also allowed some violet petals to peek through. Finally, the yellow overlaps and under-laps the black marks to integrate the image.

Interestingly, the iris takes its name from the Greek for rainbow, which is also the name for the Greek goddess of the rainbow. This is possibly about the wide variety of flower colors found among the many species.

Introducing “Pastel Drawings” to my Portfolio

As I mentioned in my last blog, I have been drawing and creating pastels of natural forms. While the same principles of color, line, and texture apply, the hands-on work with soft pastels is a nice variation from my digital work. See my pastel drawings portfolio.

Art Work Chosen for Still Life Exhibition

I am pleased to be included in the Texas-based Envision Arts Gallery online exhibition titled Still Life. The chosen still lives range from more traditional to whimsical paintings, photography of expected and unexpected objects, and digital collage.

In Contemplating Chrysanthemums, above, I challenged myself to merge digital drawings and flower photography. To start with, I manipulated the photo to progress outwardly from its black-and-white center to various intense shades of violet. Then, I intermingled the photography with the digitally drawn and painted interpretations of the blossoms for an intricate effect. I decided to enter this image because I could imagine taking these flowers from the garden and placing them on the dining room table for a pleasant accompaniment to dinner.

The exhibition runs through the end of November.

Creating a Still Life in Pastel

Along with my digital work, I have been drawing and creating pastels of natural forms. This allows me to work out various ideas with line and color. When working strictly in a digital format, I missed the more direct, hands-on work that drawing and working in pastels afford me. At the same time, I have developed ideas while jumping between the two media. Let me know if you would like to see more pastels in the future.

Exhibiting at Toronto Gallery

I am honored to show my work in the online exhibition titled Collage at the John Aird B. Art Gallery, Toronto, ON, Canada. The project showcases contemporary Canadian and international artists’ handmade and digital collage-based works. The jurors were Ken Moffat, Canadian author of Troubled Masculinities: Reimaging Urban Men, and Toronto-born artist Sebastein Miller, whose recent work is entitled Civil Disobedience. Ideas for my chosen work, I Can’t Breathe (detail above) came to me as I heard George Floyd’s last words, which echoed the words of seriously ill and dying COVID-19 patients.

Contemplating Chrysanthemums

Mums or Chrysanthemums are the quintessential flowers of autumn. In anticipation of the season, I have been photographing, drawing, and digitally collaging them all summer. The left image, Portrait in Line and Color, includes a photo and drawing layered upon it. I am intrigued by the visual back-and-forth between the two media. In the right image, Color Collage, I added some drawn elements, but it is primarily a digital montage of photographic color shifts. Finally, I hope this colorful time of year brings you joy and serenity.

Work Included in Art Journal

art included in journal — © Betty Butler, Flowers for Ukraine, 12in. x 12in, Digital Painting, 2022

I am honored to be included in the Transformative Power of Art Journal, summer edition, 2022. Creators submitted work on the topic of “on war and peace.” This international forum reviews sharable media from written to visual to musical creations. With Flowers for Ukraine, I began by digitally painting the blue and yellow colors of the Ukrainian flag on my screen. From there, I overlaid the flag with loosely drawn flowers. Finally, I added various shades of red because even though I might hope that flowers would offer comfort, there is no escaping the bloodshed that results from warfare.

This journal adds to the ongoing scholarly conversation about forms of art as catalysts of transformation, whether experienced by witnessing a work by another artist, or by the process of creation, and often it is through the experience of these two in conjunction with each other where transformation occurs.
Amy M Anderson, PhD, MFA, MALS, Publisher, Transformative Power of Art Journal

Tuxedo Tulips

This new work employs a more positive approach to using flowers as subject matter. The lighthearted title Tuxedo Tulips refers to the black and white digital line drawing, which contrasts a softer pink and purple photograph. Lastly, for added interest, I layered a halftone texture on some areas of the image.

Flowers for Ukraine

I am a news junkie, so I was fully aware that Russia’s military had surrounded Ukraine. Yet, I was still alarmed and upset to actually hear the bombs and witness the explosions on cable TV. I was working on my new spring series, and I titled the above image, Tulips Within. This referred to the tulips encircled by a line drawing of a tulip. Later I changed the name to, Tulips Within/ Flowers for Ukraine. Like the tulips contained by the digital lines, the Ukrainians are also surrounded.

Where Have All the Flowers Gone?

After February 24^th, 2022, I had to express my feelings about the war using the theme of flowers differently. With the help of silhouetted honeysuckle flowers overlaid on the colors of the Ukrainian flag, I tried to portray the chaos and disarray. I borrowed the title from Pete Seeger’s 1955 classic anti-war folk song Where Have All the Flowers Gone? In the 1960s and beyond, it was recorded by The Kingston Trio, Peter Paul and Mary, and others. Unfortunately, this song never seems to lose its relevance.

Where Have All the Flowers Gone, songwriter Pete Seeger, recorded by The Kingston Trio

Summer Remembered

Before we face colder weather, I would like to recall last summer by describing this new digital collage. I was inspired one July evening by a multitude of beautiful lights among the flowers. Not only were the patterns intriguing, but I have also since learned that these flashes function as the insects’ mating language. How could I portray these fireflies’ dancing lights in an art form, I wondered? Well, first I took several photographs of hosta flowers. Then, almost by accident, the line-work in my digital painting morphed into an image resembling lights in motion. Therefore, I was satisfied that I had captured this magical scene.

Summer Exhibition at Envision Gallery

The gallery was searching for work that embodied the essence of summer.

I am honored to have been selected for Envision Arts online gallery, based in Dallas, Texas, titled Summer II. One of my chosen works is featured above. The gallery was searching for work that embodied the essence of summer, be it subject matter, color, or feeling. It’s a contemporary show, with artists from various US states and Moscow, Russia, Sao Paulo, Brazil, and Barcelona, Spain. Although the exhibition went online in June 2021, you can view the show here in the gallery’s archive.

Print series honors the first moon landing

That warm, muggy evening of July 20, 1969, seems like yesterday. It was 50 years ago. I had just watched the live televised moon landing and then went out to my front yard to be with some youthful friends. We gazed at the full moon, with its bright surface and craters. It seemed so distant, and yet a little closer than before, with the utterance of the words by astronaut Neil Armstrong, “That’s one small step for [a] man, one giant leap for mankind.”

[Show slideshow]

In honor of the first moon landing anniversary, I am re-posting my collages from the series, Full Moon Musing. I started working with a simple photograph of a springtime tree and billowing clouds behind it. With a few experiments in PhotoShop, I realized that the clouds also took on the shape of craters within the appearance of full moons. Thus, the series of art prints began. Eventually, I added elements of water, shells, and flowers to the circular shapes. I was stunned at the visual connections between earth, water, and sky.