Yes, we in the Midwest U.S. are looking forward to the lifting of this long cold winter. In anticipation of spring, I am posting a photograph of beautiful daffodils that will be blooming soon.
In spite of a cold start to March 2019, the Journal of Advances in Atmospheric Sciences reports that 2018 was the hottest year on record for the oceans. They state that this warming is due to human activity. Of course, warming oceans mean shrinking polar ice, rising sea levels, and coastal flooding.
Daffodils will be blooming soon.
TemperatureRising (top) is a visual commentary on global warming. I wrote in a blog for Artists and Climate Change that for me, “this image became an amalgamation of earth and sun, with the sun clearly encroaching on the available space. I started with a photograph of waves in the cobalt-blue Gulf of Mexico. With a photo-manipulation program, I inverted the ocean, and it stunningly became a bright yellow-gold. Inversion is the equivalent to reversing a color photograph to that of a negative. I found it interesting that the yellow-orange area bears some resemblance to sunspots and the bright areas (faculae) that surround them.
As an artist, I am fascinated with the patterns repeated in nature, from the spots on seashells, to similar spots on leopards. The photos taken by the Hubble Space Telescope of newly forming stars in the ‘Pillars of Creation’ could be mistaken for exaggerated cumulonimbus clouds that accompany earthly thunderstorms. If these visual patterns are connected, aren’t all creatures and systems similarly bonded and worthy of concern?”
back to our weariness of winter, when the daffodils do bloom, I hope you enjoy
them. I know I will.
This new image visually contrasts flowers and the aging technology of the electrical grid. These flowers, although thin and wiry like the transmission lines, are animated and lively. By comparison, the towers appear to be an ancient construct. As the window for preventing dramatic climate warming closes, the energy transmitted through the grid continues to be produced by a 63% blend of fossil fuel and nuclear, rather than environmentally friendly renewable sources.
The electric grid in its current state brings to mind the over year-long recovery of Puerto Rico from the destruction of category five Hurricane Maria. The island grid was almost totally destroyed. The power has not yet been restored to all of its citizens. Puerto Rico, vulnerable to storms, is also rich in renewable sources such as wind, solar, water, and biomass. Still, with our current laws, FEMA is required to restore power to match the destroyed system exactly as it was. And so, the government is currently rebuilding the grid without updates. Tall towers are being built in inaccessible areas such as mountain tops in favor of more manageable local grids fueled by solar or wind. In addition, the importing of expensive fossil fuel needs to continue.
In spite of these FEMA requirements, philanthropists and private companies have come in to help. They donated roof-top solar systems, which form small renewable grids. This technology has helped some neighborhoods regain their electricity. While Puerto Rico’s energy problems and recovery are an extreme example of lack of economic and environmental foresight, I hope that we as a nation can learn from these missteps.
Seahorses are magical fish that seemingly float up and down, back and forth, and gracefully twist and tumble through their watery world. These dancers of the sea achieve their swimming power from one constantly moving dorsal fin.
On a visit to the Shedd Aquarium in Chicago, Illinois, I observed these social creatures swimming in pairs. They gathered in groups, using their curly tails to cling to sea grass. Did you know that the male of the species carries the babies during gestation?
These beautiful creatures served as an inspiration for my latest digital collages. In the first print, I silhouetted the seahorses and then filled them with cars, packed in traffic. The name of the work, Horsepower, is a play on words between our vehicles, their carbon emissions, and the affected seahorses.
In order to celebrate seahorses and all aquatic life, I was moved to create a companion art print that was fun and colorful. It uses many of the same graphic elements as the first digital collage. Rather than cars, I filled the silhouetted animals with bright colors. In a bit of good news, Starbucks and McDonald’s are intending to switch from single-use plastic to paper straws by 2020. This is because of consumer demand. It feels good to know that the public can make a difference to reduce the tide of our environmental problems.
The sight of cone flowers is common in the Midwest, but I never really saw their essence until an October afternoon in Door County Wisconsin. I was taken by their autumnal presence – void of vibrant color, yet tall, with prominent, round, spiky heads. Photographs of these skeletal flowers would become subject matter for some of my digital collages.
For my latest collage, Ocean Flower, (top) I have silhouetted the flowers and filled them with the colorful blues and greens of sky, water and botanical life. Finally, I added photographic hints of ocean waves. The ocean within a flower brings to mind the water cycle: a process through which water and water vapor rise from plants and bodies of water, into the atmosphere, and back to earth again in the form of rain or snow.
For me, these flowers, depicted in this way, embody a world or a universe. Besides, these frail flowers, seen at the end of their growing season, contain the seeds – the very life source – for their next generation. We humans are also the guardians of future generations. As the oceans warm and expand, glaciers melt and sea levels rise to engulf coastal regions, we must all concern ourselves with our future world, our universe.
Who doesn’t appreciate the beauty of flowers? Their bright colors and enchanting scents attract insects and humans alike. The curving lines and multiple patterns of flowers invite me to utilize them as subject matter for my art. Why then, for this new art print, have I borrowed the title of Pete Seeger’s enduring anti-war anthem, Where have all the FlowersGone?
In an ironic twist, the meaning for my art is different, but no less dire. Instead of all the flowers finally going to graveyards, my collage portrays tulips fading and being swallowed by the ocean. It also incorporates a severe color palette of pink, black and gray. Therefore, it asks the question, what will happen to the flowers, fields, and coastal cities as the sea rises to claims them?
Two prints win entry into Colorado Environmental Photography Exhibition
I am delighted to be part of the 9th Annual Environmental Photography Exhibition, held in conjunction with the 2018 Colorado Environmental FilmFestival in Golden, Colorado. It is a worldwide curated photography exhibition. Like the Film Festival itself, the Photography Exhibition hopes to represent the shared visions of world communities that are concerned about environmental issues.
Opening Reception: February 23, 2018 – 5:30-7:30 PM
It was so exciting to participate in Climate Change Theatre Action, a worldwide series of readings and performances of short climate change plays presented October 1 – November 18, 2017 to coincide with the United Nations COP23 meeting. On their informative website, I could rejoice in the 100+ events taking place across the globe at colleges, theater groups and art studios. Although we are not thespians, my husband and I took the plunge and read the play Single Use, by Marcia Johnson, to a small audience in our home.
Theater inspires my art
In addition, Johnson’s play inspired me to create a new art print, Throw Away Ocean (top). The play is set during a young couple’s first date. Conflict arises when she, concerned with climate change, won’t use a disposable straw for her milkshake. He on the other hand, doesn’t want to discuss serious issues so early in a relationship. My collage combines ocean photography and assorted photos of straws to visually describe the dangers of ocean plastic pollution.
It was also inspiring to feel the enthusiasm coming from the talented theatrical students of Northwestern University in Evanston, Illinois, on October 22, 2017. In their event, which I was able to attend, they interwove music, performed original plays and those provided by Climate Change Theatre Action. Their final presentation included audience participation and dance. I am encouraged to see all manner of artists, across the globe, bringing fresh perspectives to this pressing issue.
Extreme Weather (above) portrays threatening storm clouds that open, not to the sky, but to the sea. I hope to visually explore the concept that the atmosphere and ocean are inescapably bound together. The grayish-purple boarder with moving dots, could even represent molecules of H2O, transforming from a liquid to a vaporous state, as they rise from bodies of water to the sky. I trust that you will find this image visually satisfying as well as thought provoking.
Rising concentrations of carbon dioxide are warming the atmosphere. This increase in temperature results in higher evaporation rates, which in turn allows more moisture to be absorbed into the atmosphere. Consequently, we are experiencing stronger storms with heavier rainfall amounts.
Although climate change is not the cause of hurricanes, a small increase in the average temperature of the Atlantic Ocean and the Gulf of Mexico (which has happened this year) can increase their rainfall and strength. We are sadly reminded of this, as we witness the record braking destructiveness of Harvey and Irma.
Print juried into Koehnline Museum of Art exhibit
I am honored that Coral Grief (above) has been accepted into the exhibition, “Women andAnger: Resistance, Power and Inspiration” at the Koehnline Museum of Art. The jury was seeking art that made a statement concerning recent push backs in political gains made by and for women, other marginalized groups and the environment. My art print Coral Grief, addresses the environmental challenge posed by the world-wide bleaching and dying of coral reefs.
I hope you are enjoying the lake or ocean beach this summer. Because it’s summer, I am posting the peaceful and softly colored image Nautilus Beach, pictured above. Even if you are not at the beach, I hope this image will take you there on a visual journey.
Coral reefs in peril
While the next image is visually pleasant with blue ocean imagery and fan coral, it also addresses the serious problem of coral bleaching. As I have turned my artistic focus from shells and shores to the ocean itself, I have found artist organizations concerned with climate change. I was fortunate enough to be able to write an article for the blog Artists and Climate Change. In the post I said the following about Coral Grief, pictured above:
Coral reefs thrive within a narrow temperature range. Their fate is being challenged as the oceans absorb much of the heat created by global warming. When coral is stressed, it discharges its algae and becomes white or bleached, and vulnerable to death. A major bleaching event is considered one of the most visual indicators of climate change. This image was produced by layering ocean and coral photography. With photo-manipulation, I was able to portray the coral as bleached. As I searched for an appropriate title, the term coral reef yielded to the reality of ‘coral grief.’
In spite of this reality, I intend to enjoy and celebrate our rivers, lakes and oceans. I will fight for their health as well.
From an emotional perspective, water can symbolize longing, as in being separated by large spans of ocean. It is a life force, stormy and threatening, as well as calming and beautiful. From a scientific point of view, the oceans cover 70% of earth’s surface and contain roughly 97% of its water. The oceans supply much of the earth’s food and most of its oxygen through a population of tiny plants.
From an artistic point of view, I am moved to create work about water. In the image above, I layered ocean photography with playfully colored, digitally painted circles, which could suggest bubbles of gas dissolving in water.
Saving our oceans
Sea water is slightly base as opposed to acidic. As man-made CO2 increases in the atmosphere, it is eventually deposited and dissolved in the ocean. It then skews the water toward a more acidic reading in a process called ocean acidification. As a result, shell-forming animals including corals, oysters, shrimp, lobster, many planktonic organisms, and even some fish species could be gravely affected.
I have been thinking a lot about social issues since we have entered this new era in American political life. My special concern rests with climate change and its impact on the oceans. As the polar ice caps warm at an alarming rate, populations plan to evacuate island homes and Miami Beach experiences ‘sunshine’ flooding, climate change deniers abound.
Recently my art has explored the beauty of shells and seashores; therefore I have naturally extended my concern to the oceans themselves. This new series, AbstractOcean Art, continues to employ digital collage of my acrylic painting and photography. Although semi-abstract, elements of ocean imagery and the titles inform the viewer of various environmental issues.
It is a deep feeling of apprehension for our future that has brought me to delve into this new series.