It is hard to believe that it was only in January of this year that the world finally took notice of the 2019-2020 Australian fires. They had been devastating to the country’s environment and tragically caused human deaths and homelessness. However, the situation also pulled at our heartstrings. The world has witnessed the burning and suffering of Australia’s beautiful and rare animals. Scientists estimate one billion have died. In January, I was moved to create these digital collages relating to the inferno’s effect on human and animal life.
Concerning the Corona Virus, of course, modern travel can quickly spread a pandemic from continent to continent. Moreover, pandemics like this are expected to rise as the climate changes. Illnesses carried by mosquitoes, ticks, and other animals, will likely increase on a hotter planet. In addition, when humans cramp and stress animals in tight cages, a viral crossover from species to species can occur. This is especially true in wet markets, which create a toxic mix of animal fluids and human beings. These viruses may have been coexisting within the animal species for many years, but people carry no immunity to them.
It seems like the global community is learning painfully, not to wait too long to address a problem like a pandemic. We are seeing how quickly illness and death can mount up in a short amount of time. I hope our world community can learn from this and take corrective steps for our climate NOW. A tipping point for the earth could come sooner than we think.
Gladioli Drawing I, 2019 (left), has been selected for the online exhibition, FOR THE LOVE OF ART II, Envision Arts, Dallas, Texas, on display through February 29, 2020. In addition to Americans, artists from Norway, Taiwan, Poland, United Kingdom, Portugal, Japan, and Greece are included. The jurors were seeking images regarding love and relationships, as well as the color red.
I am honored to have been juried into a photography exhibit at the Pennsylvania Center for Photography, in Doylestown PA, a suburb of Philadelphia. The exhibit, November 1 – 17, 2019, was entitled Transformations. Throwaway Ocean (above) was included in the section called “Unlimited Exhibition.” This means that an artist was allowed to employ any type of digital process imaginable.
Freaky Halloween snowstorm!
Halloween really was scary in Chicago this year, but not because the children were disguised as monsters and goblins. It was frightening to observe so few of the trick-or-treaters out and about due to an early snowstorm. The leaves still clung to their branches, even as white powder clung to them. By Veterans Day November 11, it snowed again, and Arctic cold surged as far south as Florida. Yes, our climate is changing, but on the other hand, not randomly.
Greenland has been in the news quite a bit lately. After Europe’s heatwave of 2019 spread north, Greenland’s ice sheet experienced a significant melting event. The result was that much of the island’s ice has turned to slush. As rivers of water pour into the ocean, a NASA Study predicts more long-term sea-level rise from Greenland ice. Then curiously, our President decided it would be an excellent time to broker a deal with Denmark to buy its autonomous territory of Greenland. Of course, the Danish Prime Minister declared the idea absurd.
Could anything be more ludicrous? Could our planet be in any more danger?
Global Effect (above) is abstract, but in some ways, it reminds me of the shapes on a world atlas. This digital collage is composed of manipulated photos from the ocean, beach, and one of my paintings. These images of earth and its patterns bring together my appreciation of nature and on-going concern with climate change as a global problem.
As the warming climate changes our planet in unexpected ways, there will be populations forced to move. Some migrations will be due to the ocean rising and reclaiming everything from beachfront property to island nations. Some people will be forced to move north as the heat simply makes living unbearable. Other populations will be on the move, as their food production decreases, due to the desertification of once fertile land.
For these digital collages, I used photography from my travels and closer to home, to depict various global environments. In addition, I was recently able to photograph groups of people that I used as silhouettes and patterns, to illustrate the experience of population upheaval.
Yes, we in the Midwest U.S. are looking forward to the lifting of this long cold winter. In anticipation of spring, I am posting a photograph of beautiful daffodils that will be blooming soon.
In spite of a cold start to March 2019, the Journal of Advances in Atmospheric Sciences reports that 2018 was the hottest year on record for the oceans. They state that this warming is due to human activity. Of course, warming oceans mean shrinking polar ice, rising sea levels, and coastal flooding.
Daffodils will be blooming soon.
TemperatureRising (top) is a visual commentary on global warming. I wrote in a blog for Artists and Climate Change that for me, “this image became an amalgamation of earth and sun, with the sun clearly encroaching on the available space. I started with a photograph of waves in the cobalt-blue Gulf of Mexico. With a photo-manipulation program, I inverted the ocean, and it stunningly became a bright yellow-gold. Inversion is the equivalent to reversing a color photograph to that of a negative. I found it interesting that the yellow-orange area bears some resemblance to sunspots and the bright areas (faculae) that surround them.
As an artist, I am fascinated with the patterns repeated in nature, from the spots on seashells, to similar spots on leopards. The photos taken by the Hubble Space Telescope of newly forming stars in the ‘Pillars of Creation’ could be mistaken for exaggerated cumulonimbus clouds that accompany earthly thunderstorms. If these visual patterns are connected, aren’t all creatures and systems similarly bonded and worthy of concern?”
back to our weariness of winter, when the daffodils do bloom, I hope you enjoy
them. I know I will.
This new image visually contrasts flowers and the aging technology of the electrical grid. These flowers, although thin and wiry like the transmission lines, are animated and lively. By comparison, the towers appear to be an ancient construct. As the window for preventing dramatic climate warming closes, the energy transmitted through the grid continues to be produced by a 63% blend of fossil fuel and nuclear, rather than environmentally friendly renewable sources.
The electric grid in its current state brings to mind the over year-long recovery of Puerto Rico from the destruction of category five Hurricane Maria. The island grid was almost totally destroyed. The power has not yet been restored to all of its citizens. Puerto Rico, vulnerable to storms, is also rich in renewable sources such as wind, solar, water, and biomass. Still, with our current laws, FEMA is required to restore power to match the destroyed system exactly as it was. And so, the government is currently rebuilding the grid without updates. Tall towers are being built in inaccessible areas such as mountain tops in favor of more manageable local grids fueled by solar or wind. In addition, the importing of expensive fossil fuel needs to continue.
In spite of these FEMA requirements, philanthropists and private companies have come in to help. They donated roof-top solar systems, which form small renewable grids. This technology has helped some neighborhoods regain their electricity. While Puerto Rico’s energy problems and recovery are an extreme example of lack of economic and environmental foresight, I hope that we as a nation can learn from these missteps.
Seahorses are magical fish that seemingly float up and down, back and forth, and gracefully twist and tumble through their watery world. These dancers of the sea achieve their swimming power from one constantly moving dorsal fin.
On a visit to the Shedd Aquarium in Chicago, Illinois, I observed these social creatures swimming in pairs. They gathered in groups, using their curly tails to cling to sea grass. Did you know that the male of the species carries the babies during gestation?
These beautiful creatures served as an inspiration for my latest digital collages. In the first print, I silhouetted the seahorses and then filled them with cars, packed in traffic. The name of the work, Horsepower, is a play on words between our vehicles, their carbon emissions, and the affected seahorses.
In order to celebrate seahorses and all aquatic life, I was moved to create a companion art print that was fun and colorful. It uses many of the same graphic elements as the first digital collage. Rather than cars, I filled the silhouetted animals with bright colors. In a bit of good news, Starbucks and McDonald’s are intending to switch from single-use plastic to paper straws by 2020. This is because of consumer demand. It feels good to know that the public can make a difference to reduce the tide of our environmental problems.
The sight of cone flowers is common in the Midwest, but I never really saw their essence until an October afternoon in Door County Wisconsin. I was taken by their autumnal presence – void of vibrant color, yet tall, with prominent, round, spiky heads. Photographs of these skeletal flowers would become subject matter for some of my digital collages.
For my latest collage, Ocean Flower, (top) I have silhouetted the flowers and filled them with the colorful blues and greens of sky, water and botanical life. Finally, I added photographic hints of ocean waves. The ocean within a flower brings to mind the water cycle: a process through which water and water vapor rise from plants and bodies of water, into the atmosphere, and back to earth again in the form of rain or snow.
For me, these flowers, depicted in this way, embody a world or a universe. Besides, these frail flowers, seen at the end of their growing season, contain the seeds – the very life source – for their next generation. We humans are also the guardians of future generations. As the oceans warm and expand, glaciers melt and sea levels rise to engulf coastal regions, we must all concern ourselves with our future world, our universe.
Who doesn’t appreciate the beauty of flowers? Their bright colors and enchanting scents attract insects and humans alike. The curving lines and multiple patterns of flowers invite me to utilize them as subject matter for my art. Why then, for this new art print, have I borrowed the title of Pete Seeger’s enduring anti-war anthem, Where have all the FlowersGone?
In an ironic twist, the meaning for my art is different, but no less dire. Instead of all the flowers finally going to graveyards, my collage portrays tulips fading and being swallowed by the ocean. It also incorporates a severe color palette of pink, black and gray. Therefore, it asks the question, what will happen to the flowers, fields, and coastal cities as the sea rises to claims them?
Two prints win entry into Colorado Environmental Photography Exhibition
I am delighted to be part of the 9th Annual Environmental Photography Exhibition, held in conjunction with the 2018 Colorado Environmental FilmFestival in Golden, Colorado. It is a worldwide curated photography exhibition. Like the Film Festival itself, the Photography Exhibition hopes to represent the shared visions of world communities that are concerned about environmental issues.
Opening Reception: February 23, 2018 – 5:30-7:30 PM