Those of us living in the northern climes know winter has dished out its traditional dose of cold and snowy weather. Therefore, I am thinking ahead to warmer days when irises bloom. I began this image with photographs of irises. Then I digitally drew an iris on top of the layered photos. The next question was, what color would the drawn flower become? I chose yellow, the opposite of purple on the color wheel; this opposition brings out the brightest qualities in the other color. I also allowed some violet petals to peek through. Finally, the yellow overlaps and under-laps the black marks to integrate the image.
As I mentioned in my last blog, I have been drawing and creating pastels of natural forms. While the same principles of color, line, and texture apply, the hands-on work with soft pastels is a nice variation from my digital work. See my pastel drawings portfolio.
I am pleased to be included in the Texas-based Envision Arts Gallery online exhibition titled StillLife. The chosen still lives range from more traditional to whimsical paintings, photography of expected and unexpected objects, and digital collage.
In Contemplating Chrysanthemums, above, I challenged myself to merge digital drawings and flower photography. To start with, I manipulated the photo to progress outwardly from its black-and-white center to various intense shades of violet. Then, I intermingled the photography with the digitally drawn and painted interpretations of the blossoms for an intricate effect. I decided to enter this image because I could imagine taking these flowers from the garden and placing them on the dining room table for a pleasant accompaniment to dinner.
The exhibition runs through the end of November.
Creating a Still Life in Pastel
Along with my digital work, I have been drawing and creating pastels of natural forms. This allows me to work out various ideas with line and color. When working strictly in a digital format, I missed the more direct, hands-on work that drawing and working in pastels afford me. At the same time, I have developed ideas while jumping between the two media. Let me know if you would like to see more pastels in the future.
I am honored to show my work in the online exhibition titled Collage at the John Aird B. Art Gallery, Toronto, ON, Canada. The project showcases contemporary Canadian and international artists’ handmade and digital collage-based works. The jurors were Ken Moffat, Canadian author of Troubled Masculinities: Reimaging Urban Men, and Toronto-born artist Sebastein Miller, whose recent work is entitled Civil Disobedience. Ideas for my chosen work, I Can’t Breathe (detail above) came to me as I heard George Floyd’s last words, which echoed the words of seriously ill and dying COVID-19 patients.
Mums or Chrysanthemums are the quintessential flowers of autumn. In anticipation of the season, I have been photographing, drawing, and digitally collaging them all summer. The left image, Portrait in Line and Color, includes a photo and drawing layered upon it. I am intrigued by the visual back-and-forth between the two media. In the right image, Color Collage, I added some drawn elements, but it is primarily a digital montage of photographic color shifts. Finally, I hope this colorful time of year brings you joy and serenity.
I am honored to be included in the Transformative Power of Art Journal, summer edition, 2022. Creators submitted work on the topic of “on war and peace.” This international forum reviews sharable media from written to visual to musical creations. With Flowers for Ukraine, I began by digitally painting the blue and yellow colors of the Ukrainian flag on my screen. From there, I overlaid the flag with loosely drawn flowers. Finally, I added various shades of red because even though I might hope that flowers would offer comfort, there is no escaping the bloodshed that results from warfare.
This journal adds to the ongoing scholarly conversation about forms of art as catalysts of transformation, whether experienced by witnessing a work by another artist, or by the process of creation, and often it is through the experience of these two in conjunction with each other where transformation occurs.
Amy M Anderson, PhD, MFA, MALS, Publisher, Transformative Power of Art Journal
This new work employs a more positive approach to using flowers as subject matter. The lighthearted title Tuxedo Tulips refers to the black and white digital line drawing, which contrasts a softer pink and purple photograph. Lastly, for added interest, I layered a halftone texture on some areas of the image.
I am a news junkie, so I was fully aware that Russia’s military had surrounded Ukraine. Yet, I was still alarmed and upset to actually hear the bombs and witness the explosions on cable TV. I was working on my new spring series, and I titled the above image, Tulips Within. This referred to the tulips encircled by a line drawing of a tulip. Later I changed the name to, Tulips Within/ Flowers for Ukraine. Like the tulips contained by the digital lines, the Ukrainians are also surrounded.
Where Have All the Flowers Gone?
After February 24th, 2022, I had to express my feelings about the war using the theme of flowers differently. With the help of silhouetted honeysuckle flowers overlaid on the colors of the Ukrainian flag, I tried to portray the chaos and disarray. I borrowed the title from Pete Seeger’s 1955 classic anti-war folk song Where Have All the Flowers Gone? In the 1960s and beyond, it was recorded by The Kingston Trio, Peter Paul and Mary, and others. Unfortunately, this song never seems to lose its relevance.
Before we face colder weather, I would like to recall last summer by describing this new digital collage. I was inspired one July evening by a multitude of beautiful lights among the flowers. Not only were the patterns intriguing, but I have also since learned that these flashes function as the insects’ mating language. How could I portray these fireflies’ dancing lights in an art form, I wondered? Well, first I took several photographs of hosta flowers. Then, almost by accident, the line-work in my digital painting morphed into an image resembling lights in motion. Therefore, I was satisfied that I had captured this magical scene.
Summer Exhibition at Envision Gallery
The gallery was searching for work that embodied the essence of summer.
I am honored to have been selected for Envision Arts online gallery, based in Dallas, Texas, titled Summer II. One of my chosen works is featured above. The gallery was searching for work that embodied the essence of summer, be it subject matter, color, or feeling. It’s a contemporary show, with artists from various US states and Moscow, Russia, Sao Paulo, Brazil, and Barcelona, Spain. Although the exhibition went online in June 2021, you can view the show here in the gallery’s archive.
I am pleased to be among the artists accepted into the online exhibition Bold and Colorful, hosted by Exhibition Without Walls. The curator states that “with our world being so negative, we thought that we would like to brighten up things a little by having an exhibition that was upbeat in terms of images as well as audio. The title “Bold and Colorful” speaks to this as well.”
One of my accepted images is Fiery Winter (top.) I infused a snowy, hilly scene with glowing yellow, red and purple, while the trees remain a dark, bold black. One of my viewers commented that the yellow emanating from the houses gave her hope in a time of darkness.
Soon, spring will be here, and like tulips blooming, I am feeling the hope of people coming together again…
I created a new digital collage with the concept of bold and colorful in mind. To do this, I blended pink tulips with a strong calligraphic-like line drawing. Soon, spring will be here, and like tulips blooming, I am feeling the hope of people coming together again, as more of us have access to the vaccine and COVID-19 rates go down.
A COVID Winter (above) invokes innocent children and parents having fun, sledding in the park. And yet, this digital collage addresses the pandemic from early 2021, where the virus, although invisible, is never out of sight. Although we are hoping for swifter action in the future, the vaccine roll-out up until now has been slow.
Another aspect of this image is reflected in the silhouetted figures. Some are distinct, and others faded, reminding us of those friends and loved ones we have lost during this crisis.
Shelter in Place
At first, I was just having fun with this image, placing glowing color in and on top of a snowy, hilly scene. Then I realized that this collage also included a single home and its one shed. So, although upbeat, the image reminded me that many of us are still sheltering at home (if we are able.) Our homes have become our offices, schools for our children, recreation centers, and more. In many cases, we can’t travel or shop for fear of catching the virus. Many people have felt a growing sense of isolation.
On the other hand, I am amazed at how inventive people have become about gathering virtually and wonder how many of these new practices will become part of the new normal for the future?
Greenland has been in the news quite a bit lately. After Europe’s heatwave of 2019 spread north, Greenland’s ice sheet experienced a significant melting event. The result was that much of the island’s ice has turned to slush. As rivers of water pour into the ocean, a NASA Study predicts more long-term sea-level rise from Greenland ice. Then curiously, our President decided it would be an excellent time to broker a deal with Denmark to buy its autonomous territory of Greenland. Of course, the Danish Prime Minister declared the idea absurd.
Could anything be more ludicrous? Could our planet be in any more danger?
Global Effect (above) is abstract, but in some ways, it reminds me of the shapes on a world atlas. This digital collage is composed of manipulated photos from the ocean, beach, and one of my paintings. These images of earth and its patterns bring together my appreciation of nature and on-going concern with climate change as a global problem.
That warm, muggy evening of July 20, 1969, seems like yesterday. It was 50 years ago. I had just watched the live televised moon landing and then went out to my front yard to be with some youthful friends. We gazed at the full moon, with its bright surface and craters. It seemed so distant, and yet a little closer than before, with the utterance of the words by astronaut Neil Armstrong, “That’s one small step for [a] man, one giant leap for mankind.”
In honor of the first moon landing anniversary, I am re-posting my collages from the series, Full Moon Musing. I started working with a simple photograph of a springtime tree and billowing clouds behind it. With a few experiments in PhotoShop, I realized that the clouds also took on the shape of craters within the appearance of full moons. Thus, the series of art prints began. Eventually, I added elements of water, shells, and flowers to the circular shapes. I was stunned at the visual connections between earth, water, and sky.