It is hard to believe that it was only in January of this year that the world finally took notice of the 2019-2020 Australian fires. They had been devastating to the country’s environment and tragically caused human deaths and homelessness. However, the situation also pulled at our heartstrings. The world has witnessed the burning and suffering of Australia’s beautiful and rare animals. Scientists estimate one billion have died. In January, I was moved to create these digital collages relating to the inferno’s effect on human and animal life.
Concerning the Corona Virus, of course, modern travel can quickly spread a pandemic from continent to continent. Moreover, pandemics like this are expected to rise as the climate changes. Illnesses carried by mosquitoes, ticks, and other animals, will likely increase on a hotter planet. In addition, when humans cramp and stress animals in tight cages, a viral crossover from species to species can occur. This is especially true in wet markets, which create a toxic mix of animal fluids and human beings. These viruses may have been coexisting within the animal species for many years, but people carry no immunity to them.
It seems like the global community is learning painfully, not to wait too long to address a problem like a pandemic. We are seeing how quickly illness and death can mount up in a short amount of time. I hope our world community can learn from this and take corrective steps for our climate NOW. A tipping point for the earth could come sooner than we think.
I started Winter Gladioli (above) with photographs taken last August 2019. Then, I brought these flowers straight into January of 2020 by overlaying them with bare trees and muting parts of their bright red-pink color to white and gray. Immediately, it appeared like the gladioli were part of a snowy scene. Similarly, our climate has been unrecognizable in many ways across the globe. From massive fires in Australia to continuing ice melts in the Arctic, 2019 alone has seen unprecedented climate changes. These are the kinds of surprises, I for one, do not like to see.
I appreciate the gladiolus for its bright colors and succession of organic shapes.
Berlin exhibition in March 2020
I am honored to be included in an exhibition this March in Berlin, Germany, entitled, i am. an immigrant. The exhibit was curated by Dorit Jordan Dotan, artist in resident, Institut fur Alles Mogliche (Institute for Everything.) The exhibit explores demographic changes that affect global and local politics, economies, and day to day life. History forewarns what can happen when hate and fear grows among people coming from different cultures, who now share the same space. This group exhibition is a place to explore these clashes of culture. More info will be forthcoming.
I am honored to have been juried into a photography exhibit at the Pennsylvania Center for Photography, in Doylestown PA, a suburb of Philadelphia. The exhibit, November 1 – 17, 2019, was entitled Transformations. Throwaway Ocean (above) was included in the section called “Unlimited Exhibition.” This means that an artist was allowed to employ any type of digital process imaginable.
Freaky Halloween snowstorm!
Halloween really was scary in Chicago this year, but not because the children were disguised as monsters and goblins. It was frightening to observe so few of the trick-or-treaters out and about due to an early snowstorm. The leaves still clung to their branches, even as white powder clung to them. By Veterans Day November 11, it snowed again, and Arctic cold surged as far south as Florida. Yes, our climate is changing, but on the other hand, not randomly.
That warm, muggy evening of July 20, 1969, seems like yesterday. It was 50 years ago. I had just watched the live televised moon landing and then went out to my front yard to be with some youthful friends. We gazed at the full moon, with its bright surface and craters. It seemed so distant, and yet a little closer than before, with the utterance of the words by astronaut Neil Armstrong, “That’s one small step for [a] man, one giant leap for mankind.”
In honor of the first moon landing anniversary, I am re-posting my collages from the series, Full Moon Musing. I started working with a simple photograph of a springtime tree and billowing clouds behind it. With a few experiments in PhotoShop, I realized that the clouds also took on the shape of craters within the appearance of full moons. Thus, the series of art prints began. Eventually, I added elements of water, shells, and flowers to the circular shapes. I was stunned at the visual connections between earth, water, and sky.