London Gallery Exhibits Colour

I am very pleased to be accepted into the online exhibition, Colour, July 15 – August 14, 2021, Tebbs Contemporary Art Gallery, London UK. My chosen works are pictured at the very top.

Check out the fast-paced video catalog of the many vivid artworks. I also had the opportunity to be interviewed for the exhibition on ZOOM. After a short talk about my work, guest viewers had some provocative questions for me. For example, one participant asked if I consciously chose to retain my painterly style when I shifted from canvas to digital art. I answered that painting had certainly informed the digital work to come.

One good question from another participant was how I obtained my photographs, i.e., the internet? I answered no, I took them myself, as to avoid copy right conflicts. I have taken many photos of natural subjects close to home and others on travel overseas.

Continuing with this topic, I explained that some of the photographs, such as the seahorses, were posed close-ups. With Photoshop, I silhouetted the shapes and filled them with color. I expressed that one benefit of digital collage is that an artist can use a poignant shot in various places in different works.

Someone asked about my artistic path, and I described my journey from fine arts to graphic design and back again, noting that I had learned different things from both disciplines.

It was quite an interesting experience chatting with and answering questions of artists across the globe.

At the very top are my five works chosen for the exhibition at Tebbs Contemporary Art Gallery. Clockwise: Australian Fires, Shelter in Place, Colorful Seahorses, Kangaroo Escape, I Can’t Breathe.

Unbelievable 2020

(c) Betty Butler Escape Plan, Digital Collage, 2020

Unbelievable 2020. This year we witnessed more than 200,000 deaths in the United States resulting from COVID-19. We also experienced police violence, protest and civil unrest, the worst California wildfires on record, and a president attempting to win an election with lies, deceit, and probable chaos yet to come.

Of course, my art has been influenced by some of these events. Escape Plan (above) started as a high contrast photograph of a street scene in NYC (from my time at The Cooper Union School of Art, 1973.)  The street, probably an alleyway, shows buildings with fire-escapes and barbed wire smack down the middle. Then I added silhouettes of people, the virus, and digital painting. The fire escape in the image alludes to a hopeful escape plan from the SARS-CoV-2 virus.

Of course, at this moment, there is none in sight, except for the practical measures of social distancing and mask-wearing. The president lies (or down-plays) the truth of COVID-19, so his base is reluctant to put these measures into place. Remarkably, mask-wearing has become politicized. In this image, there are only people traumatized by the barbed wire and looming disease.

California Fires

(c) Betty Butler, Fire Escape, Digital Collage, 2020

I created Escaping the Fire as a reaction to the devastating Australian fires of 2019-2020. Yet, the devastation continues in the western United States. Roughly 100 million acres of land have burned, making 2020 the largest wildfire season in California’s history. The intensity of the fires has been increased by drying and heating from human-induced climate change.[5][6]

With all of these dire events upon us, I still believe we will come out more resilient and creative on the other side.

The art of buying Greenland

Greenland digital art
© Betty Butler, Global Effect, Digital Collage, 2017

Greenland has been in the news quite a bit lately. After Europe’s heatwave of 2019 spread north, Greenland’s ice sheet experienced a significant melting event. The result was that much of the island’s ice has turned to slush. As rivers of water pour into the ocean, a NASA Study predicts more long-term sea-level rise from Greenland ice. Then curiously, our President decided it would be an excellent time to broker a deal with Denmark to buy its autonomous territory of Greenland. Of course, the Danish Prime Minister declared the idea absurd.

Could anything be more ludicrous? Could our planet be in any more danger?

Global Effect (above) is abstract, but in some ways, it reminds me of the shapes on a world atlas. This digital collage is composed of manipulated photos from the ocean, beach, and one of my paintings. These images of earth and its patterns bring together my appreciation of nature and on-going concern with climate change as a global problem.   

New work accepted into Palm Springs gallery

Greenland ice melting
© Betty Butler, Searching for Food, Digital Collage, 2019

 I was honored to be accepted as an Exhibition Finalist in a show entitled Lines, Shapes & Objects. The gallery, named Fusion Art, is located in Palm Springs, California.  It is a brick and mortar, as well as an online gallery. The accepted work, Searching For Food (above) is part of my current series on nature and climate change. The exhibit was online through August 10, 2019.