I am honored to be included in the Transformative Power of Art Journal, summer edition, 2022. Creators submitted work on the topic of “on war and peace.” This international forum reviews sharable media from written to visual to musical creations. With Flowers for Ukraine, I began by digitally painting the blue and yellow colors of the Ukrainian flag on my screen. From there, I overlaid the flag with loosely drawn flowers. Finally, I added various shades of red because even though I might hope that flowers would offer comfort, there is no escaping the bloodshed that results from warfare.
This journal adds to the ongoing scholarly conversation about forms of art as catalysts of transformation, whether experienced by witnessing a work by another artist, or by the process of creation, and often it is through the experience of these two in conjunction with each other where transformation occurs.
Amy M Anderson, PhD, MFA, MALS, Publisher, Transformative Power of Art Journal
This new work employs a more positive approach to using flowers as subject matter. The lighthearted title Tuxedo Tulips refers to the black and white digital line drawing, which contrasts a softer pink and purple photograph. Lastly, for added interest, I layered a halftone texture on some areas of the image.
I am a news junkie, so I was fully aware that Russia’s military had surrounded Ukraine. Yet, I was still alarmed and upset to actually hear the bombs and witness the explosions on cable TV. I was working on my new spring series, and I titled the above image, Tulips Within. This referred to the tulips encircled by a line drawing of a tulip. Later I changed the name to, Tulips Within/ Flowers for Ukraine. Like the tulips contained by the digital lines, the Ukrainians are also surrounded.
Where Have All the Flowers Gone?
After February 24th, 2022, I had to express my feelings about the war using the theme of flowers differently. With the help of silhouetted honeysuckle flowers overlaid on the colors of the Ukrainian flag, I tried to portray the chaos and disarray. I borrowed the title from Pete Seeger’s 1955 classic anti-war folk song Where Have All the Flowers Gone? In the 1960s and beyond, it was recorded by The Kingston Trio, Peter Paul and Mary, and others. Unfortunately, this song never seems to lose its relevance.
Before we face colder weather, I would like to recall last summer by describing this new digital collage. I was inspired one July evening by a multitude of beautiful lights among the flowers. Not only were the patterns intriguing, but I have also since learned that these flashes function as the insects’ mating language. How could I portray these fireflies’ dancing lights in an art form, I wondered? Well, first I took several photographs of hosta flowers. Then, almost by accident, the line-work in my digital painting morphed into an image resembling lights in motion. Therefore, I was satisfied that I had captured this magical scene.
Summer Exhibition at Envision Gallery
The gallery was searching for work that embodied the essence of summer.
I am honored to have been selected for Envision Arts online gallery, based in Dallas, Texas, titled Summer II. One of my chosen works is featured above. The gallery was searching for work that embodied the essence of summer, be it subject matter, color, or feeling. It’s a contemporary show, with artists from various US states and Moscow, Russia, Sao Paulo, Brazil, and Barcelona, Spain. Although the exhibition went online in June 2021, you can view the show here in the gallery’s archive.
This new image visually contrasts flowers and the aging technology of the electrical grid. These flowers, although thin and wiry like the transmission lines, are animated and lively. By comparison, the towers appear to be an ancient construct. As the window for preventing dramatic climate warming closes, the energy transmitted through the grid continues to be produced by a 63% blend of fossil fuel and nuclear, rather than environmentally friendly renewable sources.
The electric grid in its current state brings to mind the over year-long recovery of Puerto Rico from the destruction of category five Hurricane Maria. The island grid was almost totally destroyed. The power has not yet been restored to all of its citizens. Puerto Rico, vulnerable to storms, is also rich in renewable sources such as wind, solar, water, and biomass. Still, with our current laws, FEMA is required to restore power to match the destroyed system exactly as it was. And so, the government is currently rebuilding the grid without updates. Tall towers are being built in inaccessible areas such as mountain tops in favor of more manageable local grids fueled by solar or wind. In addition, the importing of expensive fossil fuel needs to continue.
In spite of these FEMA requirements, philanthropists and private companies have come in to help. They donated roof-top solar systems, which form small renewable grids. This technology has helped some neighborhoods regain their electricity. While Puerto Rico’s energy problems and recovery are an extreme example of lack of economic and environmental foresight, I hope that we as a nation can learn from these missteps.
I am honored to have two of my digital collage prints accepted intoUnnatural Selection, an exhibition highlighting species endangered by human activity. This happens as a result of over-harvesting, pollution, habitat destruction, exotic animal trade and trophy hunting, among other influences.
Long Island City Artists LIC/A The Plaxall Gallery, 5-25 46th Ave., Queens, NY 11101, Opening Reception: Saturday, September 8th, 7-10 PM, On View: August 30th – September 30th, 2018
Seahorses are magical fish that seemingly float up and down, back and forth, and gracefully twist and tumble through their watery world. These dancers of the sea achieve their swimming power from one constantly moving dorsal fin.
On a visit to the Shedd Aquarium in Chicago, Illinois, I observed these social creatures swimming in pairs. They gathered in groups, using their curly tails to cling to sea grass. Did you know that the male of the species carries the babies during gestation?
These beautiful creatures served as an inspiration for my latest digital collages. In the first print, I silhouetted the seahorses and then filled them with cars, packed in traffic. The name of the work, Horsepower, is a play on words between our vehicles, their carbon emissions, and the affected seahorses.
In order to celebrate seahorses and all aquatic life, I was moved to create a companion art print that was fun and colorful. It uses many of the same graphic elements as the first digital collage. Rather than cars, I filled the silhouetted animals with bright colors. In a bit of good news, Starbucks and McDonald’s are intending to switch from single-use plastic to paper straws by 2020. This is because of consumer demand. It feels good to know that the public can make a difference to reduce the tide of our environmental problems.
Who doesn’t appreciate the beauty of flowers? Their bright colors and enchanting scents attract insects and humans alike. The curving lines and multiple patterns of flowers invite me to utilize them as subject matter for my art. Why then, for this new art print, have I borrowed the title of Pete Seeger’s enduring anti-war anthem, Where have all the FlowersGone?
In an ironic twist, the meaning for my art is different, but no less dire. Instead of all the flowers finally going to graveyards, my collage portrays tulips fading and being swallowed by the ocean. It also incorporates a severe color palette of pink, black and gray. Therefore, it asks the question, what will happen to the flowers, fields, and coastal cities as the sea rises to claims them?
Two prints win entry into Colorado Environmental Photography Exhibition
I am delighted to be part of the 9th Annual Environmental Photography Exhibition, held in conjunction with the 2018 Colorado Environmental FilmFestival in Golden, Colorado. It is a worldwide curated photography exhibition. Like the Film Festival itself, the Photography Exhibition hopes to represent the shared visions of world communities that are concerned about environmental issues.
Opening Reception: February 23, 2018 – 5:30-7:30 PM
Extreme Weather (above) portrays threatening storm clouds that open, not to the sky, but to the sea. I hope to visually explore the concept that the atmosphere and ocean are inescapably bound together. The grayish-purple boarder with moving dots, could even represent molecules of H2O, transforming from a liquid to a vaporous state, as they rise from bodies of water to the sky. I trust that you will find this image visually satisfying as well as thought provoking.
Rising concentrations of carbon dioxide are warming the atmosphere. This increase in temperature results in higher evaporation rates, which in turn allows more moisture to be absorbed into the atmosphere. Consequently, we are experiencing stronger storms with heavier rainfall amounts.
Although climate change is not the cause of hurricanes, a small increase in the average temperature of the Atlantic Ocean and the Gulf of Mexico (which has happened this year) can increase their rainfall and strength. We are sadly reminded of this, as we witness the record braking destructiveness of Harvey and Irma.
Print juried into Koehnline Museum of Art exhibit
I am honored that Coral Grief (above) has been accepted into the exhibition, “Women andAnger: Resistance, Power and Inspiration” at the Koehnline Museum of Art. The jury was seeking art that made a statement concerning recent push backs in political gains made by and for women, other marginalized groups and the environment. My art print Coral Grief, addresses the environmental challenge posed by the world-wide bleaching and dying of coral reefs.
I love creating a warm haven in the midst of a bitterly cold winter – even if only in the 2D format of a digital collage. As I combined my photographs of seashells, dried seaweed, water, acrylic painting and lighting effects, an imagined beach began to form. Consequently, I was pleased to see the emergence of a sunrise within the shoreline itself. I am hoping this sunrise is an omen for us all to have an abundant and peaceful 2017.
One nice thing about having an art opening is what I learned from you, the viewer. Some people asked about my Photoshop techniques. Others observing the beach motif asked if I came from Florida. Some folks commented that the pleasing color, movement and the perfect placement of the shells evoked a pleasurable walk along the beach; the way one would hope such a walk, indeed life, could be. While I had never thought about my digital collages in exactly this way, your questions and comments gave me a better understanding of how people are seeing and interpreting them. Thanks to you and my friends at Creative Coworking.
Award in photography from Light Space & Time Gallery
I am pleased to announce an award in photography from the SeaScapes Art Exhibit sponsored by Light Space & Time Online Art Gallery, based in Jupiter Florida. The gallery invited artists to submit work that captured imagery relating to the sea in any way. The exhibit was juried by the accomplished photographer, John R. Math; hence I consider the award quite an honor. The exhibit runs through November 2016.